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"Two months later, the bubble burst when our manager Alan gave us the bad news that the record company had folded. Back to the drawing board and back on the road touring....We carried on touring into 1970, but started to drift apart musically, I wanted to explore the rock side and break away from the bluesy feel the band had developed.Ernie was a natural musician who played not only guitar but also harmonica and keyboard.Bruno Stapenhill vaguely recalls that Ernie was actually in a band that used the same artist agency as Black Sabbath, and that he sat in with them on harmonica back when they were still called Earth.Returning from a failed deal in 1969 with the band Evolution, Al gathered some of his past associates to form a new venture.On bass was long-time friend Brian "Bruno" Stapenhill, who had been by Al's side in each of the former groups Al performed in.
"Among the audience that night was another singer called Robert Plant (Led Zeppelin) who we were introduced to.Drums were handled by John "Fezza" Partridge, who was previously with Al and Bruno in Sugar Stack, and joining on guitar was John Perry from The Jug Blues Band.This new group of Bromwich lads began rehearsing toward the end of the summer of '69 when, tragically, A young upstart named Kenneth Downing (who would not go by the name of K. until early 1974) had been practicing guitar along to his favorite Jimi Hendrix albums for about two weeks and thought he'd give it a shot, but was turned down due to lack of experience: Another Birmingham lad, 17-year old Earnest Chataway auditioned as well and was given the job.Having an experienced musician such as Ernie who had connections to Earth, it interested this new lineup when Earth changed their name to Black Sabbath.The quintet were taken by the sinister religious overtones of the name Black Sabbath and wanted something similar that would grab attention:"The name JUDAS PRIEST came about I think just in trying to get the definition of listening to what we are musically, which I still think even today exists, which is that we can put across music that is very, very heavy and powerful and sinister in one respect, but also we can lighten up (and I use the word loosely) with the other types of music, such as the 'Beyond The Realms Of Death' or the 'Dreamer Deceiver's, the '(Take These) Chains' off... So I think the two words intermingle - the Judas and the Priest - the good and the bad, the light and the shade. The name is just a name; it's been good to us." "There was this old van going down the road with a spray aerosol on the side that said, 'JUDAS PRIEST'.
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